The process of reworking your manuscript after the first draft, from big-picture restructuring down to polishing individual sentences.
Revision is the practice of re-seeing your manuscript with fresh eyes and reshaping it into something stronger. It covers everything from rethinking your story's structure and character arcs down to refining sentence rhythm and catching typos. Most professional writers consider revision the stage where a book actually gets written. The first draft gets the story out of your head; revision turns it into something worth reading.
Almost no one writes a great book in a single pass. Revision is where you close plot holes, sharpen dialogue, cut what doesn't serve the story, and find the voice you were reaching for in the first draft. Learning to revise well is what separates writers who finish manuscripts from writers who finish publishable books.
Fitzgerald rewrote the novel extensively after his editor Maxwell Perkins flagged structural problems. The published version is dramatically different from the first draft, with entire characters reshaped and the timeline reorganized.
Carver's editor Gordon Lish famously cut some stories by more than half. Carver himself was a relentless reviser who believed in stripping prose to its essentials, producing draft after draft until every word earned its place.
Hemingway wrote 47 different endings before settling on the final version. His drafts show how revision can transform a good ending into a devastating one.
Tartt spent over a decade writing and revising this novel, going through multiple complete rewrites to get the structure and prose exactly where she wanted them.
Let your draft sit for at least a few weeks before revising. You need distance to see what's actually on the page instead of what you think you wrote.
Work from big to small. Fix plot, structure, and character problems first. Then move to scene-level issues. Save line editing and proofreading for last.
Revision isn't fixing what you did wrong. It's the stage where you discover what your story is really about. Many writers find it more enjoyable than drafting once they embrace it.
Set specific goals for each revision pass. At some point, you need to call it done and share it with readers or an editor. Perfectionism can become procrastination.
Pick a scene from your current draft that feels off but you can't pinpoint why. Read it once for structure (does the scene have a clear goal, conflict, and outcome?), once for character (does the dialogue sound like a real person?), and once aloud for prose rhythm. Write down one specific fix for each pass. You've just done a mini three-layer revision.
Ready to turn your first draft into a final one?
Novelium's manuscript editor helps you track revision passes, flag scenes that need rework, and keep your editing organized from structural fixes down to final polish.