Picking the exact right word for its meaning, sound, connotation, and effect on the reader.
Word choice is the deliberate selection of specific words to achieve a desired effect in your writing. Every word carries weight - its literal meaning, its emotional associations, its sound, its rhythm in the sentence. Strong word choice means picking the one word that does exactly what you need it to, rather than settling for something close enough.
The difference between "walked" and "shuffled" is the difference between a forgettable sentence and one that paints a picture. Word choice is where your voice lives. It's the most granular tool you have, and it shapes everything from tone to pacing to how deeply a reader trusts your prose.
McCarthy uses spare, Anglo-Saxon vocabulary - short, blunt, physical words - to mirror the stripped-down world his characters inhabit.
Morrison's word choices carry layers of historical and emotional weight, turning simple sentences into something that resonates in the body as much as the mind.
Fitzgerald's choice of "orgastic" over "orgiastic" in the final passage sparked decades of debate, proving that a single word can change an entire novel's meaning.
A bigger word isn't always a better word. "Said" beats "articulated" nine times out of ten. Use the word that fits, not the one that impresses.
Read your work aloud. Unintentional repetition sticks out to the ear before the eye catches it. But intentional repetition? That's a rhetorical tool.
"Tree" is fine. "Birch" is better. "The birch with the split trunk" is a character. Go specific when it matters.
Take a paragraph you've written and circle every adjective and adverb. Now delete them all. Rewrite the paragraph using only stronger nouns and verbs to carry the meaning. Compare the two versions and notice which one feels more alive.
See your word choice patterns at a glance
Novelium's Writing Analytics breaks down your vocabulary usage, flags repeated words, and shows you the balance of concrete vs. abstract language across your manuscript. It's like having a second pair of eyes focused entirely on your prose.