The underlying reason a character does what they do - the engine that drives every choice, action, and reaction in your story.
Character motivation is the why behind everything a character does. It's the combination of desires, fears, needs, beliefs, and past experiences that propels them through the plot. Strong motivation works on multiple levels: there's what the character says they want, what they actually want, and what they need but can't yet see. The most compelling motivations create natural conflict because they put characters at odds with each other, with the world, and with themselves.
Motivation is the difference between a character who feels like a real person and one who feels like a puppet being moved around by the plot. When readers understand why a character acts, even terrible decisions become compelling instead of frustrating. Clear, layered motivation also solves most plotting problems - when you know what your characters truly want, the story practically writes itself.
Gatsby's motivation - recapturing his past with Daisy - is so powerful and so misguided that it drives every extravagant choice he makes and ultimately destroys him.
The Kim family's motivation is survival and upward mobility, rendered with such specificity that every scheme they hatch feels both desperate and completely understandable.
Katniss's motivation shifts from protecting her sister to protecting her own humanity, showing how motivation can evolve as circumstances change.
Fleabag's layered motivation - her surface pursuit of distraction and her buried need for genuine connection and forgiveness - drives every scene.
Get specific. What does happiness look like for this character? A particular person? A specific achievement? A feeling they had once and lost?
Every villain believes they're the hero of their own story. Give them a motivation that makes sense from their perspective, even if their methods are terrible.
As characters learn and experience things, their motivations should shift and deepen. What they want in chapter one shouldn't be identical to what they want in chapter twenty.
Let some motivations emerge through behavior and subtext. People rarely announce their deepest drives - they reveal them through patterns and choices.
Choose a character and list five things they want, from most superficial to most deeply buried. Now write a scene where pursuing want number one directly conflicts with want number five. Watch how the tension between surface desires and deep needs creates natural, compelling drama without you having to force anything.
Track how each character's motivations evolve and conflict across your manuscript.
Never lose track of what drives your characters
Novelium's character tracking helps you map motivations, monitor consistency, and spot moments where your characters' drives should be colliding but aren't.