Character

Character Want vs Need

/ˈkɛr.ɪk.tər wɑnt vɜːr.səs niːd/ phrase
IN ONE SENTENCE

The want is what your character consciously chases; the need is the deeper truth they must accept to actually grow.

Definition

In storytelling, a character's want is their conscious, external goal - the thing they're actively pursuing throughout the plot. Their need is something internal they must learn, accept, or change about themselves, often without realizing it. The tension between these two creates the emotional engine of your story. When want and need finally collide, that's where the most powerful character moments happen.

Why It Matters

If your character only has a want, your story is just a checklist of plot events. If they only have a need, there's nothing pulling the reader through the narrative. The magic is in the gap between the two. That gap is what makes readers feel something when the character finally gets what they need - or tragically doesn't.

Types of Character Want vs Need

Aligned Want and Need +
Opposed Want and Need +
Unrecognized Need +

Famous Examples

The Great Gatsby — F. Scott Fitzgerald

Gatsby wants Daisy Buchanan. What he needs is to accept that the past can't be recreated - but he never does, and it destroys him.

Toy Story — Pixar (Andrew Stanton, et al.)

Woody wants to be Andy's favorite toy. He needs to learn that love isn't a competition and that sharing it doesn't diminish it.

The Hunger Games — Suzanne Collins

Katniss wants to survive the Games and protect her family. She needs to recognize her power as a symbol and accept the responsibility that comes with it.

Fleabag — Phoebe Waller-Bridge

Fleabag wants connection (especially romantic), but what she needs is to stop punishing herself for her role in her best friend's death.

Common Mistakes

Making the want and need identical.

Create separation between them. The want should be tangible and external; the need should be emotional and internal.

Having the character realize their need too early.

The need should click into focus at or near the climax. If they figure it out in act one, the story loses its tension.

Forgetting to dramatize the need through action.

Don't just tell us the character needs to 'learn to trust.' Show them in situations where trust is tested and they fail - until they don't.

Try It Yourself

Quick Exercise

Write two short paragraphs about your protagonist. In the first, have them explain what they want in their own words - what are they chasing and why? In the second, write what they need from an omniscient perspective - what truth are they avoiding? Then write one sentence describing the moment where these two collide.

CONTINUE LEARNING
Planning & Structure
Defining your character's want and need early gives your entire plot a compass - every scene can test the gap between them.