Worldbuilding

Multiverse

/ˈmʌl.ti.vɜːrs/ noun
IN ONE SENTENCE

A multiverse is a framework where multiple universes exist simultaneously, each with its own rules, histories, and versions of reality.

Definition

A multiverse is the overarching structure that contains multiple distinct universes, realities, or dimensions within a single fictional framework. Unlike a single parallel universe (which is just one alternate world), the multiverse is the whole system: the idea that reality is not singular but plural, possibly infinite. In storytelling, a multiverse lets you play with scale, consequence, and identity on a cosmic level, but it also requires careful management to prevent your story from collapsing under its own weight.

Why It Matters

The multiverse is a high-risk, high-reward worldbuilding choice. It opens up enormous creative possibilities: characters can meet alternate versions of themselves, threats can span multiple realities, and themes about choice and identity get amplified to cosmic proportions. But it also threatens to undermine stakes if readers feel that "nothing matters because there is always another universe." The key is establishing clear rules and emotional anchors so the scale serves your story rather than overwhelming it.

Types of Multiverse

Branching Multiverse +
Layered Multiverse +
Bubble Multiverse +
Connected Multiverse +

Famous Examples

Everything Everywhere All at Once — Daniel Kwan and Daniel Scheinert

Uses the multiverse to tell a deeply personal story about a mother and daughter, proving that infinite scale can serve intimate themes.

The Chronicles of Amber — Roger Zelazny

Amber is the one true reality, and all other worlds (including Earth) are shadows of it, creating a multiverse with a clear hierarchy.

The Dark Tower series — Stephen King

Connects all of King's novels into a multiverse held together by the Dark Tower, with characters crossing between worlds and story-realities.

Common Mistakes

Introducing an infinite multiverse that makes every death, loss, and sacrifice feel meaningless.

Anchor your story to one version of reality that the characters (and readers) care about most. The multiverse should raise stakes, not erase them.

Using the multiverse as a deus ex machina to undo consequences or resurrect dead characters.

Set clear rules about what can and cannot cross between universes. If anything is possible, nothing is interesting.

Making every universe just a palette swap of the main one.

If you are going to use a multiverse, make at least some of the alternate realities genuinely different in structure, physics, or premise. That is the whole point.

Overloading the story with so many realities that readers lose track of which one matters.

Limit the number of active realities to what your plot actually needs. You can imply infinity without visiting every universe.

Try It Yourself

Quick Exercise

Write a 300-word scene where a character discovers that the multiverse is real, not by traveling to another universe, but by finding evidence in their own world (a letter from themselves, an object that should not exist, a memory that belongs to someone else). Focus on the emotional reaction, not the mechanics.

Novelium

Keep Your Multiverse Under Control

Novelium's Consistency Guardian helps you track the rules, characters, and events across multiple realities so your multiverse stays coherent instead of chaotic.

CONTINUE LEARNING
worldbuilding
A multiverse requires you to define the rules of reality itself before you can build individual worlds within it.
plotting
During plotting, decide which realities are active in your story and how characters move between them.