A person's unique, individual way of speaking - the specific words, phrases, rhythms, and habits that make their voice theirs alone.
An idiolect is the complete set of linguistic habits unique to a single person. It includes their favorite words and phrases, their sentence structure preferences, the way they use (or avoid) profanity, their verbal tics, the metaphors they reach for, and even their rhythm and pace of speech. Everyone has an idiolect in real life, and every well-drawn fictional character should have one too.
Idiolect is the sharpest tool you have for making characters sound distinct from each other. If you can cover the dialogue tags in a scene and still tell who's speaking from the words alone, you've nailed their idiolects. Without it, all your characters end up sounding like the same person - usually you, the author - wearing different name tags.
Holden Caulfield's idiolect is so distinctive it practically defines the novel: 'phony,' 'it killed me,' 'if you want to know the truth.' You could identify his voice from a single sentence.
Rust Cohle's philosophical, nihilistic monologues vs. Marty Hart's plain-spoken, practical responses - their idiolects are polar opposites, and the tension between them drives the show.
Each character has a completely distinct speech pattern - Sethe's guarded fragments, Denver's hungry curiosity, Beloved's strange, broken repetitions. You always know who's talking.
A catchphrase is one element of idiolect, not the whole thing. Think about their sentence length, vocabulary range, level of directness, and what topics they talk about versus avoid.
Before drafting dialogue, write a short monologue in each character's voice. What would they order at a restaurant and how would they order it? That exercise reveals their idiolect fast.
Real people's speech patterns are subtle. If a character's verbal tic appears in every single line, it stops being characterization and becomes a running joke.
People do shift how they talk based on context (code-switching), but their core patterns stay consistent. If a shift happens, it should be deliberate and meaningful.
Pick three characters from a story you're working on. For each one, write their answer to the same question: 'How was your weekend?' Don't use dialogue tags. Make each response so distinct in vocabulary, rhythm, and structure that a reader could tell the three speakers apart without any other context. If they all sound similar, push harder on what makes each person's speech unique.
Make sure your characters don't all sound like you
Novelium's Character Tracking lets you compare how each character speaks across your manuscript. See their favorite words, sentence patterns, and verbal habits at a glance - so every character sounds like themselves, not like the author.