Structure

Story Spine

/ˈstɔːr.i spaɪn/ noun
IN ONE SENTENCE

A fill-in-the-blank template that captures the core of any story in about eight sentences using prompts like 'Once upon a time' and 'Until one day.'

Definition

The story spine is a storytelling framework created by playwright and improv teacher Kenn Adams. It uses a series of sentence starters to walk you through the essential shape of a narrative: establish a world, show the routine, disrupt it, escalate through consequences, and arrive at a new normal. The template goes roughly: 'Once upon a time... Every day... Until one day... Because of that... Because of that... Until finally... And ever since then...' Pixar adopted it as an internal story development tool, which is how it became famous in the wider writing world.

Why It Matters

The story spine is deceptively simple, but it forces you to identify the one thing many writers struggle with: cause and effect. Each 'because of that' demands that the previous event logically causes the next one. If you can fill out a story spine for your novel, you probably have a solid structural foundation. If you cannot, you may have a sequence of events rather than an actual story. It takes five minutes and can save you months of structural revision.

Types of Story Spine

Classic Story Spine +
Expanded Story Spine +
Character Spine +

Famous Examples

Finding Nemo — Pixar (Andrew Stanton)

The film follows the story spine almost perfectly: overprotective father, lost son, journey of escalating obstacles, reunion, and a changed perspective on letting go.

The Hobbit — J.R.R. Tolkien

Once upon a time, a homebody hobbit lived in the Shire. Every day, he avoided adventure. Until one day, a wizard showed up with thirteen dwarves. The entire novel follows the spine's cause-and-effect chain.

Station Eleven — Emily St. John Mandel

Even a nonlinear, multi-perspective novel like Station Eleven can be distilled to a story spine: a pandemic ends civilization, and the survivors must figure out what from the old world is worth keeping.

Common Mistakes

Making the 'because of that' steps coincidental rather than causal

Each step must be caused by the previous one, not just happen after it. 'And then' is not the same as 'because of that.' If your events are connected by 'and then,' you have a list, not a story.

Treating the story spine as the finished structure

The story spine is a discovery tool, not a final outline. Use it to find the core of your story, then build a more detailed structure around it.

Skipping the 'every day' step

The 'every day' step establishes the status quo that gets disrupted. Without it, the disruption has no context and no weight. The reader needs to know what 'normal' looks like before you break it.

Try It Yourself

Quick Exercise

Write a story spine for a project you are working on right now. Use the template: Once upon a time... Every day... Until one day... Because of that... Because of that... Because of that... Until finally... And ever since then... Force yourself to make each 'because of that' a genuine consequence of the previous step. If you get stuck, that is probably where your plot has a structural gap.

CONTINUE LEARNING
Idea & Inspiration
When you have a story idea but are not sure if it has enough structure to sustain a full narrative, the story spine is the fastest way to test it.
Planning & Structure
Use the story spine as a launching pad for deeper structural planning. Once you have the spine, you can expand each step into scenes and chapters.