Prose

Narrative Voice

/ˈnær.ə.tɪv vɔɪs/ noun
IN ONE SENTENCE

The voice of whoever is telling the story, shaped by the narrator's personality, perspective, and relationship to the events.

Definition

Narrative voice is the persona through which a story is told. It includes the narrator's attitude, vocabulary, level of knowledge, and emotional distance from the events. A first-person narrator trapped in a burning building sounds very different from an omniscient narrator calmly describing the same fire from above. The narrative voice you choose fundamentally shapes what your reader experiences.

Why It Matters

Choosing the right narrative voice is one of the most consequential decisions you'll make in any story. It determines what information the reader has access to, how emotionally close they feel to events, and what kind of trust exists between the page and the person holding it. A mismatched narrative voice can make a great plot feel flat, while the right one can make even a quiet story unforgettable.

Types of Narrative Voice

First Person +
Close Third Person +
Omniscient +
Second Person +

Famous Examples

The Great Gatsby — F. Scott Fitzgerald

Nick Carraway's narrative voice is the whole book. He's simultaneously enchanted by Gatsby and judging him, creating a tension that wouldn't exist with a different narrator.

The Book Thief — Markus Zusak

Death narrates the story, giving the narrative voice an eerie omniscience and unexpected tenderness that transforms a World War II story into something mythic.

Beloved — Toni Morrison

Morrison shifts narrative voice between characters and time periods, with each voice carrying its own rhythm and pain. The fragmented narration mirrors the characters' fractured memories.

Common Mistakes

Making every first-person narrator sound the same

Your narrator is a character with their own vocabulary, biases, and blind spots. A retired cop and a twelve-year-old should not sound interchangeable.

Head-hopping in close third person

If you're in one character's perspective, you can't suddenly reveal another character's thoughts mid-scene. Switch perspectives at chapter or scene breaks.

Choosing a narrative voice for the wrong reasons

Don't default to first person because it feels easier. Ask what your story needs. Some stories require distance; others demand intimacy. Let the story decide.

Try It Yourself

Quick Exercise

Write a single scene - a person discovering a letter they weren't meant to read - four times. Use a different narrative voice each time: first person from the character finding the letter, close third person, distant omniscient, and second person. Notice how each version changes what the reader knows, feels, and cares about. Which version serves the scene best?

Novelium

Keep every narrator consistent

Novelium's Character Tracking helps you maintain a narrator's distinct voice across your entire manuscript. Track vocabulary patterns, speech habits, and tonal shifts so your narrative voice stays rock-solid from first page to last.

CONTINUE LEARNING
Planning & Structure
Where you decide who tells the story and why
Writing the Draft
Where you inhabit the narrative voice and let it shape every sentence