Prose

Maid and Butler Dialogue

/meɪd ænd ˈbʌt.lər ˈdaɪ.ə.lɒɡ/ noun
IN ONE SENTENCE

Two characters unnaturally explain backstory or world details to each other in conversation, like servants gossiping about their employer's life.

Definition

Maid and butler dialogue is a specific type of exposition dump where two characters discuss background information, world rules, or backstory in a way that serves the reader but doesn't make sense for the characters themselves. The name comes from the old theatrical convention of opening a play with servants talking about their master's affairs to set the scene. The characters become exposition delivery devices rather than people with their own reasons to speak.

Why It Matters

This is one of the most common traps in early drafts, especially in fantasy, sci-fi, and historical fiction where you've built a rich world and desperately want readers to understand it. Spotting maid-and-butler dialogue in your work is a sign you need to find organic ways to let your world reveal itself through conflict and action rather than through characters lecturing each other.

Types of Maid and Butler Dialogue

The Opening Servants +
The War Room Briefing +
The History Lesson +

Famous Examples

The Importance of Being Earnest — Oscar Wilde

Wilde deliberately parodies this convention - his opening scene between Algernon and his manservant Lane is a playful nod to the theatrical tradition of using servants to set the stage.

The Lord of the Rings — J.R.R. Tolkien

Tolkien largely avoids this trap by using hobbits as genuine outsiders who need things explained. When Gandalf explains history, Frodo actually doesn't know it.

The Phantom Menace — George Lucas

The Trade Federation scenes feature characters explaining trade disputes and political maneuvers to each other in ways that feel more like briefings for the audience than natural conversation.

Common Mistakes

Disguising it with conflict

Two characters arguing about exposition is still exposition. "You fool, the Dark Crystal powers the entire kingdom!" "No, it only powers the eastern provinces!" That's still a lecture wearing an argument costume.

Using it to establish setting at the start of every chapter

Instead of characters narrating where they are and what's happening, drop readers into action and let setting details emerge through what characters notice, bump into, and react to.

Thinking only fantasy writers do this

Contemporary fiction has its own version: characters explaining family dynamics, workplace politics, or relationship history to people who were there. It happens in every genre.

Try It Yourself

Quick Exercise

Write a scene where two characters who've lived in a fantasy world their whole lives discuss an upcoming festival. First, write it as pure maid-and-butler dialogue where they explain everything about the festival to each other. Then rewrite it so their conversation reveals world details through disagreements, personal stakes, and emotional reactions. Compare the two versions and notice how much more alive the second one feels.

CONTINUE LEARNING
Writing the Draft
Where the temptation is strongest to let characters explain your world to each other
Revision & Editing
Where you hunt down and replace expository dialogue with scenes that reveal information through action