The emotional atmosphere of a scene or story - the feeling that settles over the reader as they move through your world.
Mood is the emotional atmosphere that pervades a piece of writing, shaping how the reader feels as they read. It's created through a combination of setting, imagery, pacing, diction, and sound. Where tone is the author's attitude, mood is the reader's experience. Think of it like walking into a room - before anyone speaks, before you know what's happening, you already feel something. That feeling is mood. A fog-wrapped Victorian street creates a different mood than a sunlit beach, even before any character appears.
Mood is how you make a reader feel something before they understand why. It's the background music of your prose, shaping emotional responses at a level below conscious thought. The right mood makes a reader's heart race during a chase scene, feel heavy during a funeral, or sense unease in a scene where nothing outwardly threatening has happened yet. If your plot is what happens and your theme is what it means, mood is how it feels.
The mood of Manderley - oppressive, haunted, suffocating with the presence of the absent Rebecca - is so powerful that the house itself feels like a character. Du Maurier builds mood through every descriptive detail.
King creates the Overlook Hotel's mood through isolation, wrong-feeling spaces, and the slow accumulation of uncanny details. The reader feels the hotel's malevolence before any ghost appears.
Marquez creates a mood where the magical and mundane coexist seamlessly - a feeling of dreamlike acceptance where a man ascending to heaven is no more remarkable than a man going to market.
Writing 'it was a creepy night' is telling. Describing the specific details that make it creepy - the flickering streetlight, the distant dog, the silence where traffic should be - is showing. Build mood through sensory details, not labels.
Even horror novels need moments of relief. Even comedies need moments of sincerity. Varying the mood creates contrast, and contrast makes each emotional beat hit harder.
Short sentences create urgency and tension. Long, flowing sentences create calm or melancholy. Your sentence rhythm is mood made structural - use it.
Write the same setting - a character entering a school building - twice. First, create a mood of warm nostalgia (they're returning to a beloved place). Second, create a mood of dread (something terrible happened here). Change nothing about the building itself - same hallways, same lockers, same lighting. Only change which details you emphasize and how you describe them. What did you add, remove, or reframe?
The Pacing Analysis tool visualizing mood shifts across your manuscript, so you can see whether your emotional beats are spaced effectively or clustering together.