Prose

Chiasmus

/kaɪˈæz.məs/ noun
IN ONE SENTENCE

A rhetorical device where two clauses mirror each other in reversed order, like a grammatical reflection.

Definition

Chiasmus is a rhetorical pattern where two or more clauses are structured so that the second reverses the order of the first. The name comes from the Greek letter chi (X), and you can think of it as a sentence that crosses over itself. "Ask not what your country can do for you - ask what you can do for your country" is the textbook example: country/you flips to you/country, and the reversal transforms the meaning.

Why It Matters

Chiasmus makes sentences feel balanced, memorable, and almost mathematically elegant. It forces the reader to see a relationship between two ideas by literally inverting them. In fiction, it can crystallize a theme, mark a character's transformation, or deliver a line of dialogue that sticks in the reader's mind long after the book is closed.

Types of Chiasmus

Verbal Chiasmus +
Conceptual Chiasmus +
Thematic Chiasmus +

Famous Examples

Inaugural Address, 1961 — John F. Kennedy

"Ask not what your country can do for you - ask what you can do for your country." The reversal turns a passive expectation into an active challenge.

Macbeth — William Shakespeare

"Fair is foul, and foul is fair" - the witches' chiasmus announces the play's central theme: nothing is what it seems, and every value will be inverted.

The Great Gatsby — F. Scott Fitzgerald

Fitzgerald uses chiastic structures throughout, reflecting the novel's obsession with mirrors, reflections, and the gap between perception and reality.

Common Mistakes

Forcing a chiasmus when the ideas don't naturally invert

Chiasmus only works when the reversal reveals something - a contrast, an irony, a deeper truth. If the inversion doesn't add meaning, it just sounds like you're being clever for its own sake.

Confusing chiasmus with antithesis

Antithesis presents opposing ideas ("it was the best of times, it was the worst of times"). Chiasmus specifically reverses the structure (A-B becomes B-A). They overlap but aren't the same thing.

Overusing it

One well-placed chiasmus per story or chapter is plenty. It's a spotlight - if you turn it on everywhere, nothing stands out.

Try It Yourself

Quick Exercise

Write five chiastic sentences about your protagonist's journey. Start with the formula: "She used to [A] [B], but now she [B] [A]." For example: "She used to run from silence, but now silence runs from her." Once you've got five, pick the one that best captures your character's arc and use it in your story.

CONTINUE LEARNING
Revision & Editing
Where you spot opportunities to sharpen a key sentence into a chiastic structure